Zack Snyder's Justice League Movie Review

Looks like Zack finally served Warner Brothers their JUST desserts, eh? Originally released in 2017, Justice League was helmed initially by Zack Snyder, who also directed Man of Steel in 2013 and Batman v Superman in 2015. After a tragic loss in his family, however, the directing role was handed over to Joss Whedon. The result was as convoluted as it sounds, and the massive reshoots and revamp of special effects needed caused the film's cost to skyrocket, which caused the film to bomb despite making a typically reasonable amount. So, despite the constant demand from fans for Snyder to return and bring his vision to life, such a project didn't seem too reasonable for Warner Brothers..... Until now. How does it hold up? Let's take a look! 

Quick Mini-Review on Original Cut

When I first saw Justice League in theaters, I enjoyed it enough mostly because it gave colorful visuals and some fun action. Even back then, though, I kept telling myself that it's good, but that this team up of gods shouldn't just be "good;" it should be great. I mean, this isn't The Defenders, it's the Justice League! It's a team of gods! This should be the most amazing, grand, epic, incredible superhero movie ever! And it wasn't. It was a decent flick that I keep forgetting even exists.

Not to spoil too much about this review, but I'm going to have a hard time forgetting this Snyder Cut exists.

The Story

Thousands of years ago, a dark being known as Darkseid attempted to conquer our planet using three Motherboxes that, when combined, would destroy the Earth and turn all life on the planet into his slaves. After an epic battle against his minions, however, the boxes were kept separate and protected, and they remained dormant until an event from Batman v Superman caused them to wake up. Bruce Wayne and Diana Prince, both being aware of this, set out on a quest to find other metahumans like them to fight the battle they now anticipate.

What's Good About It

The Characters are much more fleshed out

Those who keep thinking that a team-up movie doesn't need to have each character star in their own movie beforehand needs to consider the fact that the version of this movie that actually made the characters more interesting is a 4-hour cut. In the theatrical cut, Cyborg and Flash's backstories are reduced to their quickest explanations and then they're thrown into quips and action scenes, but here, you get to see emotional prologues and establishments of their motivations. They set up background, they pursue their goals (all of which ties into the main story, mind you), and there's payoff by the end. It's not just one liners and punches, it's emotional storytelling.

Steppenwolf is Shockingly Intimidating

One of my biggest issues with the theatrical cut is that the villain, Steppenwolf, is the most bland, generic, nothing villain. Here, I don't know if it's the redesign or the execution or both, but he is much more Intimidating here. He comes off less like a bland speech giver and more like an alien horror monster, one who can't be reasoned with, can't be stopped, and can't be easily beaten. Part of that might be because we see the heroes do everything in their power to stop him from obtaining the Motherboxes, whereas I feel like much of the back-and-forth conflict is trimmed to nothing in the theatrical cut.

The Length Benefits Its Ambitions

I don't know if this is an unpopular opinion or not, but the length actually made the film come off as more epic to me. The theatrical cut trimmed the film down to the same length as any other run-of-the-mill superhero film, and that's what it turned out to be. This is a superhero epic, and thanks to the length, I can say that in every sense of the word. It's the Lawrence of Arabia or Lord of the Rings of superhero flicks, and it feels like such and it runs as long as such.

Other bits:

-The color scheme looks more genuine

-The Flash is treated with tons more honor in the climax

What Doesn't Work About It

It's a Zack Snyder Film

This really isn't an issue for me, as Zack Snyder is a great director in my eyes, but let's be fair, he's not going to win everyone over. If you're not a fan of Snyder's color scheme, fake looking effects, emo-ish soundtrack, or dramatic choirs, this will be a waste of four hours for you. If you're not a fan of how he portrays the characters, this isn't going to change anything for you. None of that bothers me, but if it bothers you, it will still bother you.

Overall Thoughts

Zack Snyder's Justice League is exactly what I wanted from the theatrical cut; it's big, it's epic, it's ambitious, it's emotional, and it expands the universe to a point where I would want to see more from it! I greatly appreciate Zack's hard work at bringing it to life, and I greatly appreciate the studio for giving him the time and resources to put it together! This is a must see for any fan of superhero films!

My rating:

Raya and the Last Dragon Movie Review by C.M. Waters

I don't have too much to say except... Boy howdy, does it feel good to get excited about movies again. Raya and the Last Dragon is Disney's latest solo animation effort and the (co-)directorial debut of Paul Briggs, known for working on the stories for Wreck It Ralph and Zootopia. It appears on the surface to be Disney's attempt to hop on the bandwagon of anime fandom as well as continue their attempts at expanding into worldly cultures as Pixar has helped them do with films like Coco and the upcoming Luca. But does this film succeed at that, or did Disney overreach their grasp? Let's take a look!

THE STORY

The film's prologue explains that the land of Kumandra used to be a peaceful, harmonious land until the Druun, an evil, blobby spirit, attacked the land and turned all the people and dragons of the land into stone. It wasn't until Sisu, the last dragon, used her powers (or so the legend said) to create an orb to ward off the Druun and bring all the people (but not the dragons) back to life. The land was divided over the demand of power over the orb, but 500 years later, Benja, the leader of the land of Heart, attempts to bring the lands together and, as he puts it, become Kumandra once more. Sadly, though, one member of the Fang tribe attempts to steal the sacred orb, causing it to break into pieces, causing the Druun to rise up once again, and each tribe gets away with a piece of the orb. Six years after this, Raya manages to summon Sisu only to find out that she never created the orb, but if they can journey to each land and gather up the pieces of the orb, she can fuse them back together to get rid of the Druun once and for all.

Okay, I'm going to go slightly out of order on this, because what I'm about to say transitions better into.....

WHAT DOESN'T WORK ABOUT IT

The Plot Has Way Too Much Material for a Movie

This was obviously Disney's attempt to replicate the success of Nickelodeon's Avatar: The Last Airbender, and while it doesn't cram nearly as much material as M. Night Shyamalan's disastrous live action adaptation, it still leaves the movie with a ton to work with. It leaves just enough room for the emotional impact to happen, but not really enough room for that moment to sink in. It's like, "Here's an emotional moment. Great! Next scene!" The story may have worked better as a TV series or even a Disney+ series. As a movie, it squeezes too much material into one two-hour running time.

Sisu is Not Funny

The dragon, Sisu, played by Awkwafina (more like, Awkward-fina), is clearly the film's attempt to continue the success of comedic side characters to offset the emotions of the main character, and on a scale of said characters, she's not as annoying as the gargoyles from Hunchback of Notre Dame, but she's no Mushu either. She makes references to modern day like referring to herself as that one student who never did work on a group project but got the same grade as everyone else... What? I mean, I guess they would have school in this world, but... I don't know, that sounds too much like the Genie from Aladdin, which makes no sense in the context of this world.

The Tone Gets to be Jarring

As many people have mentioned, the tone is inconsistent as the film goes on. What surprised me, though, is that people were saying that it started with a serious tone and sprinkled too much comedy throughout, but for me, it was the other way around. When the film started, I thought it had the perfect style to combine drama with comedy, so the constant witty dialogue didn't bother me. Then, we reach the third act, and the film takes a drastic dive into seriousness that threw me for a loop. I don't want to give too much away, but it gets intense fast.

WHAT'S GOOD ABOUT IT

Raya is a Unique Female Lead

I don't know about the rest of the world, but I was getting tired of the female lead getting degraded in Disney films like Mulan and Moana. Here, however, Raya's father entrusts her with the responsibility of protecting the orb, and Disney actually had the courage to let her fail at it and face the consequences of failing at her responsibility. Props to you, Disney. Props.

The Story is Emotionally Impactful

Even though, like I said, the plot does throw a ton at the audience, the story does still get across its emotions. You feel the connections between the characters, you feel their struggle as they try to figure out what's best for the sake of the entire world. When it wants to be sad, it can be sad. When it wants to be hopeful, it can be hopeful. And when it wants to be funny, aside from Sisu's scenes, it can be really funny; I enjoyed the baby thief in this much more than most people.

The Action is Excellently Choreographed

Every action scene looks like it's straight out of an old kung fu movie. It's new territory for Disney, but they did a fantastic job with it. In fact, why don't we see more animated action movies? It's an environment that you can manipulate every aspect of; there's so much potential!

OVERALL THOUGHTS

Raya and the Last Dragon is parts Avatar: The Last Airbender and parts Raiders of the Lost Ark, which makes it a ton of fun for the whole family. It's a little too overstuffed and tonally jarring to be on the same level as something like Frozen or Lion King, but it's still a fun flick, and the kids will most likely love it.

My rating:

The Spongebob SquarePants Movie: Sponge on the Run Movie Review by C.M. Waters

Fun fact: When a pineapple stays underwater for over twenty years, it molds into an ugly abomination. Sponge on the Run is the third theatrical release in Nickelodeon's global phenomenon and, despite coming out so late in the game, was one of the earliest 2020 movies to get pulled from a theatrical release (at least in the US) and get saved for a streaming release, which is what I witnessed tonight. Frankly, the trailers didn't exactly catch my eye, and if I were to have watched the film, I most likely would have saved it for streaming anyway, but I didn't expect the ugly abomination, the downright garbage-induced imsult to one of my childhood icons, that I got.

THE STORY

Big shocker: Plankton is after the Krabby Patty secret formula. (Yeah, we'll talk about that in a bit.) This time, however, he realizes that Spongebob is the reason why he never gets the formula, so when King Posideon sends out a decree for all snails in the sea to be sent to him, he kidnaps Gary and sends him over, forcing Spongebob to go on a big adventure to the "lost" city of Atlantis to rescue him.

WHAT'S GOOD ABOUT IT

Just so you know, this time around, I'm scraping at the bottom of the barrel for these bits....

Posideon and His Minions are Amusing

This was the closest that the movie ever got to being funny for me. King Posideon and his assistant reminded me a lot of King Louie and his assistant from Disney's Robin Hood. They were charismatic and easily the most reserved of the characters.

Other Bits:

-The color scheme is okay

-Young Spongebob is cute on the eyes

-The Patty Wagon gets awesome upgrades

WHAT DOESN'T WORK ABOUT IT

The Plot Makes No Sense

Spongebob's first movie, for any problems it may have had, at least kept a consistent, focused plot flowing. However, it seems that the series transcends into further nonsense with each entry, and sorry to say, this is the pinnacle of that. The city of Atlantis is hyped up to be a city of death and mayhem, someplace no one is ever to go, and then it's presented as a tourist attraction. Like, what? But it gets worse than that; there's a scene where Spongebob and Patrick randomly pull up to a saloon in a Western town (no Rango cameo, mind you), and they come across ghost pirate cowboy zombies that have their own dance number. I had to check to make sure I wasn't baked after that.

Plankton is a Villain..... AGAIN.....

I am sick of this..... Can you imagine if every Batman movie had Joker as the villain, or if every Spider-Man movie had Green Goblin as the villain? I mean, come on, does every Spongebob movie need to be about Plankton getting the Krabby Patty formula? Come on, the Flying Dutchman, Bubble Bass, Squilliam.... It was fun seeing Plankton as the bad guy in the first movie, but throw in some variety, would ya? What's worse, though, is that I guess because of the recent success of films like 2019's Joker, they try to make Plankton a SYMPATHETIC villain, and his attempt to win our hearts comes right out of nowhere and has no buildup to it.

The Movie is Not Funny.... At All

As demonstrated by the oh-so-(not-)brilliant "sense of irony" joke in the trailer, most if not all of the jokes in this movie are bottom of the barrel garbage. There's a few jokes that made me laugh, but for the most part, it just shows how much the series has used up every bit of steam it has. This time, however, the animation tries drastically to make up for its lack of well written humor by exaggerating the animation in a desperate attempt for amusement, and it DOES NOT WORK AT ALL. There's an entire minute long scene at the beginning where Spongebob and Patrick just repeatedly say good morning to each other. It's painful.

Speaking of the animation, though, let's get to my absolute biggest problem with the movie....

The Animation is Ugly

These characters were not designed to be CG characters, and this ugly monstrosity demonstrates why. The 2D animation looked gorgeous because it was simple designs that gave the characters a charming, accessible look. Here, every character has their textures filled out to the tee, and it's just hideous to see every little pore on Spongebob, every bump on Squidward, and every strand of fur on Sandy..... GOOD GOD, DOES SANDY LOOK HIDEOUS IN THIS....

Other Bits:

-Tiffany Haddish is barely in this

-Keanu Reaves doesn't add too much

-The soundtrack has too many modern songs thrown in

-Are we just ignoring King Neptune? (And other continuity errors)

OVERALL THOUGHTS

Sponge on the Run takes the Spongebob I grew up with, throws it on the ground, and stomps it into the dust. It's ugly to look at, painfully unfunny, and overly exaggerated, unlike the gorgeously animated and ridiculously funny show and first movie that relied less on the animation and more on the clever writing to get its laughs. I'm glad I saved this for streaming, because if I had to look at this ugliness on the big screen, I probably wouldn't have lasted ten minutes.

My Rating: